You all know it's true. But while we wait eagerly for his second post, we should steel ourselves for the months ahead.
I wouldn't disagree that Adelaide's a pretty sleepy town for the majority of the year. But every now and then, massive heavenly bodies align, planets composed entirely of culture. Their pull cannot be resisted; the only way to survive is to submit and hope you wake up in April with a slight headache and a considerable hole in your savings account.
These orbs of which I speak - The Adelaide Fringe, Womadelaide, The Adelaide Film Festival, ringed with moons - the Whitlams, Dan Kelly and the ASO - are gathering even as you read this. I've compiled the beginnings of a list -
I wouldn't disagree that Adelaide's a pretty sleepy town for the majority of the year. But every now and then, massive heavenly bodies align, planets composed entirely of culture. Their pull cannot be resisted; the only way to survive is to submit and hope you wake up in April with a slight headache and a considerable hole in your savings account.
These orbs of which I speak - The Adelaide Fringe, Womadelaide, The Adelaide Film Festival, ringed with moons - the Whitlams, Dan Kelly and the ASO - are gathering even as you read this. I've compiled the beginnings of a list -
Dan Kelly with Holly Throsby - 23 Feb
The Whitlams - 3 March
Rod Quantock - The John and Janette Howard Story - 8-18 March
Late Night comedy @ The Rhino Room - 8-31 March
Womadelaide - 11 March
Jazz at Fringe - 16 March
Tripod - 16-18 March
Ardal O'Hanlon (aka Father Dougal) - 27-31 March
Dylan Moran (aka Bernard Black) - 29 March
- and I haven't even had a chance to decipher the theatre section of the Fringe Guide yet.
For Julian:
I present my review of Heroes. It's a show that I really should like - all the elements are exactly where they should be - a winning formula by any assessment. And I think that's the problem.
After watching the first five episodes, I get the distinct impression that I'm being manipulated. Heroes comes across not so much as a hip, semi-cultish labour of love, but a precision strike at the heart of the 18-35 audience demographic. I have visions of a boardroom in California: old men sit around a table while a recent university graduate with a stylish but non-threatening haircut pitches the next sure-fire hit. "It'll be huge. We've done extensive testing. People want a show with a cheerleader, a stripper, and a couple of caricatured Japanese office workers. We'll chuck in a bit of quasi-philosophical tripe and some bad science, and get an Indian guy to narrate it. But don't worry: he won't be too Indian."
I'm going to stick with it for a few more eps, despite its tedious pacing and shameless product placement. It's lucky that advertising has no effect on me.
P.S: Did anyone else wake up today with a burning desire to buy a stylish new Nissan Versa?
Andrew's final thoughts: George, blog!!
1 comment:
Oh, and The 3 Canadians are doing a show as well! If you're looking in the Fringe guide it's under 'Dereck and Eric's ...' or is it? 'Eric and Dereck's ...'. Either way, looks like it should be awesome.
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